This
new cycle of paintings, Peter Clare's magnum opus, that visually explores
the gospel of Saint Matthew, is reaching a point when meaningful sequences
of paintings can be exhibited. Some 70 paintings
covering the first eight chapters of the gospel are available for
exhibition in churches, meeting halls and other suitable venues. While
very different in concept from 'The Journey' it is the intention of the
artist that the pictures should be used similarly, as catalysts to prayer,
but in this case as a way to becoming more deeply engaged with the story
of Jesus as that story inspired the writer of Saint Matthew's gospel.
Because Saint Matthew's Gospel divides naturally into seven sections
the gallery of paintings is also divided into seven sub-galleries.
St Matthew I covers Chapters 1 and 2,
St Matthew II, chapters 3 to 7,
St Matthew III, Chapters 8 to 10, and so
on. Peter has only got as far as Chapter 9.
Peter Clare writes:-'As the cycle is very much an exploration
of the vision and reality that inspired and drove the writer of St.
Matthew's gospel I am not attempting to illustrate the gospel or provide a
historical and visual paraphrase of the text. The starting point to each
painting or group of paintings is certainly the gospel text but I have
consented to allow a free and open range to the imagination trusting in
the inspiration of the Holy Spirit. My concern is to experience the
Gospel, to make my own the vision and reality that gave it life, explore
the heights and depths of that profound mystery we call the Incarnation,
the God-man Jesus who years ago drew me into his warm and forgiving
embrace and who daily feeds me with his love. If it is anything at all the
cycle is a celebration of that deep relationship which is central to my
meaning and purpose and which constantly astonishes and delights me. As I
work on the various paintings so I become more and more aware that I play
a part, a small part admittedly, but a real part of that story which has
as its central and determining plot God's love affair with his people, his
humanity, his creation. That it is my magnum opus and probably the
culmination of my life's work is entirely appropriate.'
Because, like 'The Journey', the paintings will not be for sale it is
hoped the project will be funded from the sale of colour prints. Sales of
other works by the artist, commissions and donations from well-wishers
have also been forthcoming. It is, as it must be, an adventure in faith to
which the artist is totally committed.
